Farewell Madleet
My sister, Margaret, died three days ago on 26th December 2024, on the other side of the planet in Benbecula hospital, on the Western Isles in Scotland. I got the text just after watching the most beautiful sunrise from the deck of our AirBnB at Keppel Sands in Queensland, Australia, already 27th, a sunrise she would not mark. I was grateful for the opportunity to message with her during her final months - exchanging memories and snippets of our lives.
A few days before she died I received the news that she could no longer communicate. She was struggling to breathe now, and had already travelled beyond the reach of language. The next day, I sat alone on the sun lounger on Christmas afternoon after the festivities had concluded, looking out to sea. I let my arm fall, palm upward on the arm of the lounger, and imagined holding her hand, the feel of it, the shape of it, the very deliberate and delicate way her fingers reached for things, busied themselves with the fastening and unfastening of ties and clasps; the way she carefully smoothed her clothing and arranged her glasses; how she occupied the space she inhabited, a circle of calm drawn around her like a shawl.
Margaret has a large hand in my continuing presence on this earth. She was the voice on the end of the phone when I was so miserable and alone that I wanted to end it all. She was the one I called in those moments, because everyone else I loved would have told me to get a grip and eat a banana. That kind of talk has its place, don’t get me wrong. Sometimes you need to be shocked out of your own drama. But there are times when you are too fragile to take the shock. She understood that. All she did on those phone calls was state the truth again, and again, and again. It was what I needed to hear. No sarcasm, no cleverness, no reasoning, no cajoling, no fixing; just relentless compassion. Obstinately and relentlessly compassionate. That was who she was to me.
That and someone who couldn’t follow a basic plot in a film, demanding explanations loudly in the cinema; who told me while sleep talking that her mother had eye mufflers; who crossed her eyes and made a face when she was exasperated; who spent ages arranging things neatly on a table but completely ignored the mess on the floor; who taught me the difference between 'will' and 'shall'; who sang I am butter melon cauliflower, repeatedly with great glee; who walked with me through the snow at gloaming and heard the North Wind play the frozen loch like a giant flute. She was all those things to me.
I will not be able to go home to Scotland for her send-off, and so plans that we made here before remain, bafflingly, in place. We drove to Brisbane in glorious sunshine - Matt taking the lion’s share of the driving, while I bawled and talked and stared out of the window and dozed in turns. It is a strange thing to feel close to a person you are losing or have lost, but be so far from them and the other people who know them.
I keep coming back to that moment, gazing out to Peak Island on the Keppel reef, imagining her sailing away from me, already over the horizon, an emigrant, never to return as I have known her, closing my hand on the warm breeze that blew in from the ocean, joining with my breath as I pulled air into my lungs with an ease that eluded her at the end.
I can’t contain this love for Margaret. It streams forth out of me and joins with the salty sea, blending with the currents flowing around me, through me and away. All I can do is stand and let it go.
Farewell Madleet.
Margaret Keltie at home on South Uist in her studio.
We’re all leaving, Karine Polwart, 2012
https://open.spotify.com/track/5Ldc2jr2SsIamoHE5LGPs6?si=8f3243b4dc844735